艾薇菊·丹提卡在《息·望·忆》中成功塑造了两个海地黑人女性形象,母亲马汀及女儿索菲。马汀遭人强暴,远走他乡,但仍然无法逾越父权文化管制下的道德樊篱,最终精神分裂。索菲游离于现实与梦境的边缘,母亲的经历和“验身”行为使她趋于崩溃。马汀和索菲在异己的世界里生存,无法取得社会认同,难以倾诉,强烈的荒诞感使她们窒息。面对荒诞,马汀选择逃避,在绝望中自杀。索菲则立足现实,直面荒诞,在反抗中寻求精神解脱。 Ivy da Dan Tika in the interest, hope and memory, successfully created two Haitian black female images, mother Martin and daughter Sofie. As a result of being raped and away from home, he was still unable to surpass the moral barriers under the patriarchal culture of control and eventually became schizophrenic. Sophie was detached from the verge of reality and dreams, and her mother’s experience and “experience” tended her to collapse. Martine and Sophie survived in a world different from one another, unable to gain social approval, had difficulty in making a speech, and had been stifled by a strong sense of absurdity. In the face of absurdity, Martin chose to evade and commit suicide in despair. Sophie is based on reality, face the absurd, in the resistance to seek spiritual relief.