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自晚明利玛窦、清代郎世宁至二十世纪初,西方绘画的素描技法被引入中国画创作。素描技法的引入丰富了中国画创作,但也削弱了“书画同源”“笔墨中心论”等中国画美学传统。本刊特开辟专栏,邀请当代理论家和艺术家对于“素描引进中国画的利弊”进行热烈讨论。今后,本刊还将就有关当代艺坛所关注的热点问题继续进行学术争鸣,欢迎广大读者、专家直抒胸臆,积极参与到讨论中来。
Since late Ming Matteo Ricci, the Qing Dynasty Castiglione to the early twentieth century, the Western painting sketch techniques were introduced into the creation of Chinese painting. The introduction of sketching techniques enriches the creation of Chinese painting, but also weakened the traditional Chinese painting aesthetics such as “the same origin of painting and calligraphy” and “the center of pen and ink”. The magazine has opened a special column to invite contemporary theorists and artists to discuss the pros and cons of the introduction of Chinese paintings by sketches. In the future, we will continue to hold academic contests on hot issues of concern to the contemporary art scene. We welcome readers and experts to express our thoughts and take an active part in the discussion.