当一个剧种、曲种,因为时代变迁或者任何主客观因素使其生命力消退,不再流传,乃至死亡,我们也不该大惊小怪。大声疾呼“保存消逝中的艺术类型”是毫无意义的,当没有创作人再为此奉献心力,群众也失掉兴趣的时候,任何口号,都只为死亡中的异类凿下墓志铭。“窄化认知”正是一点一滴抽走传统相声生命力的元凶。 ——冯翊纲《相声居:台湾剧场的新品种》 When a drama or genre disappears due to the changes of the times or any subjective and objective factors, it no longer circulates and even dies, let's not be surprised. It is pointless to cry out loud about “saving the art type of the passing away,” and when no creator contributes to it, and the masses lose interest, any slogan only dredges the epitaph for the alien to death. Narrow Cognition is the culprit of taking the vitality of traditional crosstalk bit by bit. - Feng Yi Gang “crosstalk: Taiwan's new varieties of theater”