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剧本乃一剧之本,就像大厦的地基一样重要,大厦的高度很大程度上取决于地基的深度,表演亦是如此。刨去一个演员自身的表演天赋,他对剧本的理解与参透直接决定了角色创作的成功与否。演员每一次捧起新的剧本,就像是接纳新的生命一样,需要把自己的心思完全的放进去,才能步入角色的心灵,并去还原那一段生活。我最近参与了英国剧作家帕特里克·马勃的名剧《偷心》1的排练和演出。以下我将以《偷心》排演前的读剧工作为主体,结合近十年
The script is a play of the theater, just as important as the foundations of the building. The height of the building depends very much on the depth of the foundation, as is the performance. Planing to an actor’s own talent for acting, his understanding and penetration of the script directly determines the success of the character creation. Each time a performer holds a new script, it is like accepting a new life. It needs to put his mind into it completely before he can step into the character’s mind and restore his life. I recently participated in the rehearsal and performance of the British playwright Patrick Whitbread’s The Secretly 1. The following I will be “stolen” before the rehearsal drama as the main work, combined with nearly 10 years