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纪实摄影的图像直观地呈现一种历史的社会现象。这种现象是社会体制对社会的作用的表象,包括真象和假象。它不能呈现出事物、事件的本质,本质解释现象,只有通过揭露事物、事件的本质找到对应的方法才能改变生存现状即现象。人类从进化完成至今都不断地在进行着——解释,从图像、语言到文字,为了延续种族和纪录种族历史,由此形成了种族文明。并且都经过了蒙昧时期对自然现象、对人类的起源的想象:神化传说、巫术、祭祀。从原始艺术的崖间绘画、洞窟绘画到由科技发展新兴的摄影,以不同的方式纪录着历史,完善和发展着审美,探索着未知。充当“时间的观察者”用一生去创造“关爱社会的人文主义的光辉”在“人间与天堂”中留下“永恒的记忆”。
Documentary photography of the visual presentation of a historical social phenomenon. This phenomenon is the appearance of the social system’s role in society, including the truth and the illusion. It can not show things, the essence of events, the nature of the phenomenon of interpretation, only by exposing things, the nature of the incident to find the corresponding method to change the status quo phenomenon. Since the evolutionary evolution, mankind has continuously carried out - from the image, language to text, in order to continue the race and record the race history, thus forming a racial civilization. And they all passed through the ignorance of natural phenomena, the origin of human imagination: deification, witchcraft, worship. From the original art of inter-cliff painting, painting cave to the development of science and technology emerging photography, in different ways to record the history, improve and develop the aesthetic, to explore the unknown. To act as the “observer of time” to “create a life-long humanistic glorious love of society” and leave “eternal memory” in “world and paradise.”