在信息全球化、传播方式全球化、文化全球化的共同作用下,电影的跨文化传播成了电影界创新和突破的关键点。尤其是好莱坞的动画电影,它们在西方电影团队的制作下,运用先进的制作理念和技术,将全球各国的文化、信仰融为一体,创造出一种与众不同的电影形式。在这种形式下,跨文化传播成为了电影动画取得高票房的秘诀。2008年的《功夫熊猫1》和2011年的《功夫熊猫2》就是成功的典范之作。但是,无论跨文化传播的形式如何,都无法脱离海明威提出的“冰山模式”的范畴。本文就以跨文化传播的经典之作《功夫熊猫》为例,来深入解析“冰山模式”理论在电影中的应用。 With the globalization of information, the globalization of modes of communication and the globalization of culture, the cross-cultural transmission of films has become the key point of innovation and breakthrough in the film industry. Especially the Hollywood animated films, which, under the production of the Western film team, use advanced production concepts and technologies to bring together the cultures and beliefs of all countries in the world to create a distinctive film format. In this format, intercultural communication has become a recipe for movie cartoons at the highest box office. Kung Fu Panda 1 in 2008 and Kung Fu Panda 2 in 2011 are examples of success. However, no matter what the form of intercultural communication, it can not be separated from the category of “iceberg model” proposed by Hemingway. This article takes “Kung Fu Panda” as an example, to analyze the application of “iceberg mode” theory in movies.