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吴碧霞,抒情花腔女高音歌唱家,被界内认为是民歌与歌剧里穿行的“中西合璧的夜莺”。本论文根据吴碧霞成功的艺术实践,详细的讲解了吴碧霞是如何摆脱歌唱概念的束缚,在民族和美声之间自由游走,并将歌唱最自然化的艰辛历程,从两种不同的歌唱形式的特点进行深入的研究,真正做到“鱼和熊掌都可兼得”的歌唱,并且正确的把握了对于“吴碧霞现象”的评价,指出了划分唱法的弊端,并为正在学习音乐及声乐演唱者做出几点启示。
Wu Bixia, the lyrical soprano soprano, was regarded as a folk song and opera through the “Nightingale” Chinese and Western. According to Wu Bixia’s successful artistic practice, this thesis explains in detail how Wu Bixia got rid of the shackles of the concept of singing, walks freely between the nationality and the voice of the United States, and makes the most natural and difficult journey of singing from two different forms of singing Characteristics of the in-depth study, truly “fish and bear’s paw can have both ” singing, and correctly grasp the “Wu Bixia Phenomenon ” evaluation, pointed out the drawbacks of singing division, and is studying Music and vocal singers make a few revelations.