凝视萨沙·布罗宁的绘画仿佛是与一个令人不安、富有催眠性的世界相遇。她创作的肖像画溶解在自身的轮廓里,肉身若有若无,扭曲了现实的定律。她的作品呈现出高超的画技。在她的画作中,肖像和科幻小说化为一体,几何纹样融于人形物种的皮肤上,很难确知它们是来自于数字网络还是被这个网络所吞噬。然而,尽管她的画作具有如此超现实的能量,却又奇异地具有逼真的效果。它们既栩栩如生,又处于一个臆想中的宇宙。它们可以是来自未来的生物,又或许是我们对愈发脱离实体的现代生活的映像。艺评家罗伯塔·史密斯称布罗宁为“卓越的超现实主义的复兴者”。她也是 Staring at Sasha Brolin’s paintings seems to meet with a disturbing, hypnotic world. The portraits of her paintings are dissolved in their own contours, and her body is a natural one, distorting the laws of reality. Her works show superb painting skills. In her paintings, portraits are integrated with science fiction, and geometrical patterns blend into the skin of humanoid species, making it hard to know whether they are from digital networks or engulfed by this network. However, even though her paintings have such surrealistic energies, they are singularly lifelike. They are both lifelike and in a cosmic universe. They can be creatures from the future, or perhaps our reflection on the more modern life that is getting detached from reality. Art critic Roberta Smith called Brooning for “a remarkable surrealist revivalist.” She is also