在通常的意义上,“生气灌注”被视作是对文学作品、艺术作品的要求。较早明确地将这一点引申为一种创作原则的,似乎是康德。他在自己的《判断力批判》中写道:“某些艺术作品,虽然从鉴赏力的角度来看,是无可挑剔的,然而致命的缺陷却在于,它独独没有灵魂。一首诗,可以写得十分华美而又优雅,但却没有灵魂;一篇叙事作品,可以写得精确 In the usual sense, “perfusion” is seen as a requirement for literary and artistic works. It seems Kant to extend this point as a principle of creation earlier and more clearly. In his Critique of Judgment, he wrote: "Certain works of art, though impeccable from the point of view of compliment, have the fatal flaw that they alone have no soul. , Can be written very gorgeous and elegant, but without the soul; a narrative work can be written accurately