元明以降,吾丘衍、赵孟倡导的细朱文被取为篆刻创作的主要形式,由于作者多注重细与匀,所作往往工致有余而意趣不足。清初画家、篆刻家汪士慎的印作不多,拟细朱文作品更少,却有一方耐人寻味的佳作传世,即是他自用的斋馆名号“七峰草堂”印。拟细朱文印笔贵含蓄流畅,须赖技巧的纯 In the Ming and Qing dynasties, the fine Zhu Wen advocated by Wu Qiuyan and Zhao Meng was taken as the main form of carving creation. Since the author paid more attention to fineness and uniformness, his works often made lots of work and lacked interest. In the early Qing Dynasty, Wang Shishin, a painter and seal-cutting artist, had a limited number of copies printed on it. He wanted to create a fine work with fewer works but had an intriguing masterpiece handed down from his hometown. To be fine Zhu Wenyin pen implicitly fluent, depends on the skill of pure