追忆传统,回溯风景

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我对册页这种形制一直有着特别的情感。方寸之间现造化无穷,水晕墨染中见五彩斑斓,单纯却不简单。一帧帧、一叶叶的水墨册页都是传统绘画及其背后深厚内涵的缩影,最能够反映画家的传统功力和创新潜力。在我看来,格调的高低关键不在于用色还是用墨,而在于用笔,也即深厚的传统功力与个性化的笔墨语言。墨我所欲也,色亦我所欲也,好在色墨可以得兼,因为水墨渲淡与色彩绚烂实在是各有千秋。此次我放弃热烈奔放的 I have always had a special emotion in this form of album. Ingenuity between creativity, water halo ink stained colorful, simple but not simple. A frame, a leaf of the album are the traditional painting and the deep connotation of the microcosm behind, most can reflect the painter’s traditional skill and innovation potential. In my opinion, the key to the style is not the use of color or ink, but the use of pens, that is, the profound traditional skill and personalized ink and wash language. I want ink, color is also what I want, but good color ink can have both, because ink and light color and gorgeous is really different. This time I give up warm and imaginative
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画家多了,画得好的画家多了,著名的画家也多了,但就是相近的东西多了,各自的面貌少了,把古人技法拿过来,摆上去,就有传统的工夫了,把现代人的面貌翻译过来就是新的了。我想艺