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在西方几千年的文论发展史上,先后出现了具有代表性的道德批评、社会批评、心理批评、形式主义批评、原型批评五种批评模式。这五种批评模式发展到社会主义的苏联的时侯,则具体形成了季摩菲耶夫模式。几千年的中国文论史,无疑有着丰富的内容和完善精美的文艺理论体系,但是作为社会主义的中国却缺乏自己独特完美的文艺理论体系。肖君和的《文艺研究新模式》(以下简称《新模式》),是他创造性地建构具有中国特色的文艺理论体系的一个尝试。第一,文艺的主体客体性原则是贯穿整个《新模式》的一条红线。该书通过对传统的“客体论,和“主体论”的批判研究,在“主体-客体”理论的哲学基础和“美在心物联系”的美学基础上,形成了独特的文艺
In the western history of thousands of years of literary theory, there have been five representative criticisms: moral criticism, social criticism, psychological criticism, formalist criticism and archetypal criticism. When these five criticisms developed to the socialist Soviet Union, they formed a specific model of the quarter-Mofiev. For thousands of years, the history of Chinese literary theory undoubtedly has rich content and perfect fine theory system of literary theory. However, as a socialist China, it lacks its own unique and perfect theoretical system of literary theory. Xiao Junhe’s “new mode of literature and art research” (hereinafter referred to as “the new mode”) is an attempt by him to creatively construct a literary theory system with Chinese characteristics. First, the principle of subjectivity of literature and art is a red line running through the “new model.” Through a critical study of the traditional “object theory” and “subject theory”, the book has formed a unique literary and art foundation based on the philosophical foundation of “subject-object” theory and the aesthetic of “beauty in connection with mind and body”