据说,“后网络”这一术语,在由某位艺术家设计的“网上冲浪俱乐部”存在时便已被构思,如今许多类似艺术都可以在那里找到雏形。“后网络”是一个萌芽中的概念,其不规则、无序与使用的广泛性,导致了人们将其与Gif图像无所不在的网络艺术所混淆。即便对此概念熟悉,也会有人将它与“新美学”混淆。(事实上,怀疑论者也许会说,这个概念只能被那些“知情人”理解;就目前而言,这些“知情人”的确似乎仅包含生活于柏林和纽约的一小拨人;同许多新被发明的术语一样,它在予人启发的同时,也令人困惑。)然而,将“网络核心性为背景的自觉创作”的艺术品引入非虚拟的展览环境中,相较于那些策展人将作品在布满电脑显示器的房间进行展示、或者完全不提供“物”的展览,不仅仅只提供一种解放感。互联网对日常生活的病毒性渗透是如此高 It is said that the term “post-network” has been conceived in the presence of “web surfing club” designed by a certain artist, and many similar art today can find its prototype. “Post Web ” is a sprouting concept whose irregularity, disorder and widespread use have led to the confusion that people have with Web art where the Gif image is ubiquitous. Even familiar with this concept, some people will be confused with “new aesthetics.” (In fact, skeptics may say that the concept can only be understood by those “insiders.” For the moment, these “insiders,” it seems, really seem to contain only a small chunk of life in Berlin and New York People, like many newly invented terms, are also entertaining as well as perplexing.) However, the art of “conscious creation of the network core” is introduced into a non-virtual exhibition environment Compared to those curators who display their work in a room full of computer monitors, or do not provide “physical” exhibitions, they not only provide a sense of liberation. The viral penetration of the Internet into everyday life is so high