从近十数年的研究成果来看,中国戏曲史研究所关注的时代领域趋于下移,即原来作为戏曲史关注重点的元明古典戏曲,已经逐渐让位于清代至民国的近代戏曲史。学术视野的变化主要基于清代以降数量巨大的文献资源被不断地公布并呈现于学者面前。当然,传统的文本研究,特别是以杂剧、传奇为中心的文本研究,限于资料文献收集的竭泽而渔,和研究方法对文学文献的执着固守,其可以提升的空间渐趋缩小,也直接引发了学术界别出机杼的领域拓展。新世纪以来, From the research results of the past ten years, the field of the era of concern for the study of Chinese opera history tends to go down, that is, the original drama of the Yuan and Ming dynasties that originally focused attention in the history of opera has gradually given way to the modern drama of the Qing Dynasty and the Republic of China history. The change of academic field of vision is mainly based on the huge quantity of literature resources in the Qing Dynasty that is continuously published and presented to scholars. Of course, the traditional textual research, especially textual research focusing on drama and legends, is limited to the collection of literature and literature, and the persistence of research methods on literature and literature has gradually narrowed the room for improvement. It has also led directly to the academic Sector out of the machine 拓 area expansion. Since the new century,