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香港是一个高度商业的社会,在香港当电影导演是很难的,不管你有多辉煌的过去,一旦票房惨败,便有可能从此无人问津,纵有满腹才华,亦要被埋没。因此虽然许多有抱负的香港导演都想拍有内涵的影片,但总难免要在商业与理想之间挣扎。在这种情况下,获第九届香港电影金像奖最佳影片奖的《飞越黄昏》一片导演张之亮的执著与勇气非常难得。 他首次执导演筒,便为“宝禾”电影公司拍出票房收入过千万的影片《中国最后一个太监》,且叫好又叫座,令他名声大噪,亦令投资者对他另眼相看。本可秉胜追击,但他没有接着为大公司拍片,而是以独立制作形式,拍摄了这部没有票房保证的老人题材文艺片。他说这样
Hong Kong is a highly commercialized society. It is very difficult to be a film director in Hong Kong. No matter how glorious you are, once the box office is fiasco, it is possible that no one will ever pay attention to it. As a result, it is full of talent and will be buried. So although many aspiring Hong Kong film directors want to make content films, it is inevitable that they must struggle between business and ideals. Under such circumstances, the persistence and courage of Zhang Zhiliang, director of “Flying Twilight”, who won the 9th Hong Kong Film Awards for Best Film Award, is very rare. He directed the drums for the first time and auctioned the film company “The Last Eunuch of China” at the box office for “Bao Wo” Film Company, making him famous and well known to investors. This may be pursued victorious, but he did not then filming for the big companies, but in an independent production of the filming of the theatrical novels guaranteed the theatrical novels. He said so