本文对中国当代女性行为艺术家在争取女性权利时过分裸露的表现进行了探讨,通过阐述这种行为艺术造成的社会影响以及女性行为艺术家对于裸露的思想误区,论证了过分裸露的女性行为艺术归根究底还是在以男性的眼光来看待问题,虽是以宣扬女性主义的名义,实际上并没有摆脱父权社会的影响,是中国当代女性行为艺术的“自我殖民”。 This article explores the performance of Chinese contemporary female performance artists in over-exposing women’s rights. By elaborating on the social influence caused by this performance art and the erroneous thinking of female performance artists on nakedness, At the end, it still looks at the issue from the perspective of men. Although it is in the name of advocating feminism, it has not actually got rid of the influence of patriarchal society and is the “self colonization” of contemporary Chinese female performance art.