本文论证两个问题:一、琴产生的历史下限,不能以罗振玉解释甲骨文“乐”字是“琴瑟之象”为据求取,只有从《诗经》中探索。由《左传》及《诗经》的有关文献推断,琴在我国出现,最晚在公元前9世纪;它最初是周人的乐器。二、琴之有派,始南宋浙派的诞生,浙派特指南宋两浙路(“路”相当于今天的“省”)的琴学,是以地域来区划流派的。“两浙路”大体上包括今浙江省和江苏省长江以南地区。这一区域,两千多年以来,不仅是一个地理概念,更重要的是一个行政、文化的区域概念。可见浙派以后历史上影响最大的虞山派,其实并没有离开“两浙”文化域;至于受虞山派影响而出现的其他琴派,论其渊源,也必然会追溯到浙派。所以说:浙派是其后琴派之祖。 This article argues for two problems: First, the lower limit of the history of piano production can not be explained by Luo Zhenyu. The word “music” is the image of “the instrument of Qin Cha”. Only from “The Book of Songs” is explored. From “Zuo Zhuan” and “The Book of Songs,” the relevant literature concluded that the piano appeared in our country, the latest in the 9th century BC; it was originally the Zhou people’s musical instruments. Second, the piano has sent, the birth of the Southern Song Dynasty Zhejiang School, Zhejiang School specifically refers to the two Song and Zhe Liang Road ( “Road ” equivalent to today “province ”) Qin school, is based on the area to genre schools. “Liangzhe Road ” This includes in general Zhejiang Province and south of the Yangtze River in Jiangsu Province. This region, more than 2,000 years ago, is not only a geographical concept, but more importantly an administrative and cultural regional concept. It can be seen that the most influential Yushan School in the history after the Zhepai ​​School did not actually leave the cultural fields like “Liangzhe” and “Qinzheshi”. As for the other Qin schools influenced by the Yushan School, their origins must also be traced back to the Zhepai ​​School. So: Zhejiang school is the ancestor of the pianist.