在整个创作界,“长篇小说崇拜”现象由来已久。虽然从艺术表现的丰富性、审美形式的多元化以及文体门类美学平等的要求来看,这种现象存在着值得诟病之处,但我们不得不承认,社会生活的迅疾嬗变,人们内心世界的日趋复杂,人与世界以及人与自我之关系的碎片化趋势,这些方面对于艺术形式及其审美容量必然产生无限扩张的需求。由之,长篇小说以其天然的优势被人们寄予了最富创造力的厚望。当然,如果长篇小说仅仅是以字数多、篇幅长、故事复杂而被作家所热衷,仍然是远远不 Throughout the creative world, the phenomenon of “novel worship” has a long history. Although there are some criticisms of this phenomenon in view of the richness of artistic expression, the diversification of aesthetic forms and the aesthetic equality of stylistic categories, we have to admit that the rapid evolution of social life and the growing tendency of people's inner world The fragmentation of the complex, human-world, and human-self relationship has all the need for an unlimited expansion of the art form and its aesthetic capacity. From that, novels have been given the most creative high hopes by their natural advantages. Of course, if novels are written by writers just because they are more words, longer in length and more complicated in story, they are still far from