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在西方现代学科体系和知识论的话语系统中,民族志文本与文学文本之间存在着明确的区隔,它们分别从属于科学和艺术两个学科范畴。虽然如此,但二者间其实有着颇为深刻的渊源关系。格尔茨在《作品与生活:作为作者的人类学家》一书中发展出的文本现象学就对这种渊源关系进行了极富深度的探索。这种填补空白且极具深度的研究,不但对于民族志文本研究而且对于文学文本研究,都将具有极为重要的学术价值。以民族志文本与文学文本书写中的风格问题为切入点,对格尔茨的文本现象学思想进行一次较为深入的研究。
In the discourse system of modern Western subject system and epistemology, there is a clear distinction between ethnographic texts and literary texts, which are subordinated to the two disciplines of science and art respectively. In spite of this, but in fact there is quite a deep relationship between the two. Geertz’s phenomenology of text, developed in his book The Work and Life: The Anthropologist as an Author, explores this patriarchal relationship in depth. This kind of gap filling and deep research will have extremely important academic value not only for ethnographic text research but also for literary text research. Taking the style of ethnography and writing of literary text as the breakthrough point, this article makes a deep research on Geertz ’s text phenomenological thinking.