朝代有更迭,人生有起伏,一种艺术风格也会在数百年间有着截然不同的评价。明末清初,由“四王吴恽”即王时敏、王鉴、王翚、王原祁、吴历、恽寿平六人组成的正统画派在乱世之后一统江湖,成为300余年的画坛主流,一时风头无两,后世竞相效仿。然而,到了清末民初,“清初六家”却几乎被打入地狱。由于一昧追求摹古,缺乏时代与自身的特点,正统画派越来越呆板、僵硬、无意义,没有新 There are changes in the dynasties, ups and downs in life, an art style will be hundreds of years with a completely different evaluation. In the late Ming and early Qing dynasties, the orthodox school composed of six civilians such as Wang Shimin, Wang Jian, Wang Zong, Wang Yuanqi, Wu Li and Zuo Shou-ping dominated the arena after the chaotic times and became the mainstream of the art circles for more than 300 years. No moment of the limelight, follow-up competition to follow suit. However, by the end of the Qing Dynasty and the beginning of the Republic of China, “Six Early Qing Dynasty” was almost driven into hell. Orthodox school is getting stiff, rigid, meaningless and lacking in new features because of its pursuit of ancient times, its lack of time and its own characteristics