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不少学者认为:当代艺术离不开政治。在种种强势的权力话语下“当代艺术批评”受政治所左右,成了维护各种权力话语的工具。对于艺术批评而言,话语、模式固然重要,但更为本质的还是立场及其所涵有的文化政治所指,亦即批评家的思想观念及其背后的理论逻辑。对于中国而言,建构艺术批评的模式和话语范式是迫切的,本专题将从89后的中国当代艺术、中国现代水墨等方面来重新思考中国当代艺术批评的价值与实践检省,并将通过作品《收租院》及艺术机构、艺术家和公众来探讨艺术与政治的关系。
Many scholars think: Contemporary art can not be separated from politics. Under the powerful power discourse, “Criticism of Contemporary Art” is influenced by political institutions and has become a tool for defending various discourse of power. For art criticism, discourse and mode are important, but more essential are the positions and the cultural politics they contain, that is, the critics’ ideas and the logic behind them. For China, it is urgent to construct the mode and discourse paradigm of artistic criticism. This topic will rethink the value and practice of Chinese contemporary art criticism from the aspects of Chinese contemporary art after 89 and Chinese modern ink and wash, and will pass Works “rental homes” and art institutions, artists and the public to explore the relationship between art and politics.