有清一代,实为我国书法史上之繁荣期,名家辈出,佳作如林,千枝竞秀,百舸争流,书法艺术极其丰富多彩。大体上,乾隆以前,帖派独盛,书法家远祧二王(羲之、献之),追摹唐贤、归于赵董(赵孟府、董其昌),继承传统,发扬光大,各具风格。乾嘉以后,碑派崛起,书法家搜求临摹鼎彝碑版,开辟创新,另成蹊径,篆隶真草,诸体大备,达到了书法史上的高峰。 所谓“帖派”“碑派”,其分野始于晋室东迁。 There is a generation, in fact, the prosperity of calligraphy in our history, famous comers, masterpieces such as forest, a thousand sticks show, hundred 舸 competition, calligraphy art is extremely rich and colorful. In general, before the Qianlong Dynasty, there was a unique style of calligraphy, with two calligraphers (Xizhi, Xizhi), calligraphers Tang Xian, and Zhao Dong (Zhao Mengfu and Dong Qichang) inheriting the tradition. After Qianjia, the rise of the Beiters, the calligraphers sought to copy Dingyi Tablet Edition, open up innovation, another way, Zhuanmiao real grass, all kinds of great equipment, reached the peak in the history of calligraphy. The so-called “send school” “Beishi School”, the distinction began in the Jinzhai Eastward move.