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拍摄婚纱照被看作是自由恋爱的标志。女性通过华丽的婚纱,曼妙多姿的体态,吸引观者“凝视”的目光,这在一定程度上,显示着女性地位和隐形话语权的提升。但是在消费社会“美”的标准下,女性试图通过身体技术来实现“上相”的美学价值,由此又陷入了“美学神话”的怪圈。本文试从婚纱照中女性的身体转向,揭示其背后蕴含的权利关系。
Shooting wedding photos is seen as a sign of free love. Women through gorgeous wedding dress, graceful and varied body posture, to attract the viewer “gaze ” of the eyes, which to some extent, shows the status of women and the promotion of invisible discourse. However, under the standard of consuming society “beauty ”, women try to realize the aesthetic value of “Shang Xiang ” by body technique, and thus fall into the vicious circle of “aesthetic myth ”. This paper tries to shift from the female body in the wedding photos to reveal the entrenched rights.