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相对于国家艺术基金资助并组织验收的版本(2015年9月),我更喜欢《追寻香格里拉》两年前(2013年11月)的演出状态。其实就这部“现代芭蕾舞剧”的主题、主要情节、主要人物关系、主要舞段构成而言,基本前后一致。一个重要的改变在于看来不太起眼的人物关系——原先男首席丹青作为才华横溢的青年画家,与他关系最为亲近的女人是艺术经纪人朱莉;在后来的版本中,青年画家和他的艺术经纪人变成了姐弟关系,朱莉也因此改名为丹曼。这种改变的目的是
Compared with the state art fund-funded and organization of acceptance (September 2015), I prefer the performance of “chasing Shangri-La” two years ago (November 2013). In fact, the theme of this “modern ballet”, the main plot, the relationship between the main characters, the composition of the main stage, the basic consistent. An important change is the seemingly inconspicuous relationship between the characters - the former male chief Danqing as talented young painter, and his closest relationship with the woman is the art dealer Julie; in later versions, the young painter and his Art broker into a sibling relationship, Julie also renamed Danman. The purpose of this change is