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在盆景艺术从创作到欣赏的这一过程中,人们总是习惯于以人格化的思维方式展开丰富的联想,而最终聚焦在一种“和谐美”的境界上,从而完成从物质形态到精神追求的演化。例如1.685的黄金分割津,就是人类审美意识所普遍存在的心理结构。盆景艺术既不是单纯的自然缩影,也不仅仅美在形式,其审美价值决不止于一般性的消遣娱乐。它之所以成为艺术品,除了具体的物质条件外,还有赖于人的精神境界因素起决定性作用,并且为改善和提高人的精神境界服务(摘自潘仲连《盆景艺术的本质特征》一文)。在欣赏曹克亭先生的黑松盆景作品《二友图》时,我自然而然地做了许多可能的假设和类化,自然也联想到了我们生活的这个时代,忽然就有了一种要说一说的冲动。《二友图》系用两棵黑松采用合植的形式来完成的一件盆景作品,其中用作主树的一棵,是别人放弃的所谓“废料”。到了老曹手里,经过一
In the process of creation and appreciation of bonsai art, people are always accustomed to developing a rich association in a personalized way of thinking, and ultimately focusing on a kind of “harmonious beauty” to complete the process from material form to Spiritual pursuit of evolution. For example, 1.685 gold division Jin, is the common psychological structure of human aesthetic awareness. Bonsai art is neither a mere epitome of nature nor a mere formality, but its aesthetic value goes beyond the general amusement of the amusement. Apart from specific material conditions, it also plays a decisive role in the spiritual realm of human beings and serves to improve and enhance the spiritual realm of human beings. (From Pan Zhonglian’s article “Essential Characteristics of Bonsai Art”). While appreciating Mr. Cao Ke-ting’s bonsai bonsai, I naturally made many possible assumptions and classifications, and naturally reminded me of the time in our life, there was a time to say something impulse. “Two Friends of the map” Department of the use of two black pine plantation form to complete a bonsai works, which used as a tree, is someone else to give up the so-called “waste ”. To the hands of Cao, after one