万伟民,这个在北方艺术土壤中孕育却在南方文化浸润中成长的赤子,从北国冰封的哈尔滨到岭南之地——中国首批优秀旅游城市——肇庆,至今已八年有余了。他的画风,也像两地不同的气候、环境和动植物一样,变了许多:题材变了,色彩变了,尺寸变了,格调也变了,而且越变越好,越变越雅了。万伟民的处女作,名为《花鸟图》,成于16岁,是他考入 Wan Weimin, who grew up in the northern soil of art but grew up in the infiltration of the South, has more than eight years left from the frozen northern city of Harbin to the south of Lingnan, the first batch of excellent tourist cities in China. His style, like the two different climate, environment and flora and fauna, has changed a lot: the theme has changed, the color changed, the size has changed, the style has changed, and the more the better, the more elegant It’s Wan Weimin’s debut, known as “bird and flower map”, at the age of 16, he admitted