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韩国崔溥的《漂海录》全方位、多层面地描述了明代中叶的中国形象,包括以自我形象为参照系形成的许多负面中国形象,如儒风不振、局部社会治安混乱以及民众的不良风俗等。这些负面中国形象有一定的客观性,同时也是崔溥以及全体韩国人对中国集体想象的结果,包含夸饰成分,言说了他者进而凸显了自我,也反映了朝鲜王朝进一步认识、利用中华文化的愿望。
The Curse of the Sea by Choi Po in South Korea comprehensively and multifacetedly depicts the image of China in the mid-Ming dynasty, including many negative images of China formed with reference to self-image, such as the weak Confucianism, the disorder of local public order and the vulgar customs of the people Wait. These negative images of China have a certain degree of objectivity. They are also the result of Cui Pu’s and all South Koreans’ collective imagination toward China. They include the exaggerated elements, and the other person speaks the ego. It also reflects the further understanding of the Joseon Dynasty and the use of Chinese culture desire.