论文部分内容阅读
张栻所提出的“学者之诗”理论,不仅是他诗学思想的基本观点,也是他文艺观的核心理念。他的书法思想体系是围绕“学者”滋味进行构建的,因此张栻追求的是一种“学者之书”的书美理想。他将论书视角从传统书法家所侧重的笔墨艺术层面转移到主体修养层面,更重视书体本身和书帖内容中所发溢出的有关主体之学问义理、儒家伦理道德与心性存养工夫等方面的“学者”滋味。张栻“学者之书”的书美理想为理学家建立了一套完整的书法评价体系,也为理学书法美学范式的确立奠定了基础。
The theory of “scholar’s poem” proposed by Zhang Jian is not only the basic viewpoint of his poetics, but also the core idea of his literary view. His ideological system of calligraphy is constructed around the taste of “scholar”, and therefore Zhang Wan pursued a kind of book beauty ideal of “book of scholars”. He shifted the angle of view of the book from the artistic level of ink and calligraphy focused on by traditional calligraphers to the subject’s level of self-cultivation, paying more attention to the knowledge and principles of spillover from the book itself and the content of the signature, the ethics of Confucianism and the maintenance of Confucian morality Aspects of the “scholar ” taste. The ideal of book beauty of Zhang Shu and The Book of Scholars established a complete set of calligraphy evaluation system for the Neo-Confucianists, which lays the foundation for establishing the philosophical paradigm of Neo-Confucianism calligraphy.