一、徐悲鸿向现实人生的“转变”纵观徐悲鸿一生的创作历程,虽其一贯提倡写实主义,但由于在各人生阶段所受之影响及实际情形不同,其写实的具体状态也呈现出相应的差异和变化。1919年之前,即徐悲鸿赴法国留学之前,受家学和国内科学写实思潮的影响,此期的作品基本上是自然写真的状态,如其早期所绘《诸老图》《月季花》,以及1919年春赴法前夕绘赠姬觉弥之《三松三 First, Xu Beihong ’s “change ” to the actual life Throughout Xu Beihong’ s life course of creation, although it always advocates realism, but due to the various stages of life experience and the actual situation is different, the concrete state of reality also presents The corresponding differences and changes. Prior to 1919, when Xu Beihong went to France to study abroad, he was influenced by the trends of realism and scientific realism in his homeland. His works of this period were basically pictures of nature. As shown in his early paintings, “The Old Map”, “Rose” and 1919 In the spring of spring to France to give Ji Ji Mi painted "three loose three