王德禄,字山农,号萍末居士,自幼喜画,拜拜工笔书画大师田世光先生门下,聆教于窗榻三十余年,深悟恩师之笔墨精华。七十年代后,更得到王雪涛先生指导,改习小写意花鸟,风格也随之一变。踏田王二位先生成功之足迹,王德禄用笔粗犷,虽立足式笔亦不拘谨,以写意的功力,追求气韵生动。同时王先生更是借鉴西洋画强调光影变化的设色之法,对于鸟类羽毛的赋色,强调光影冲突、明暗变化,所绘之物跃然纸上,为古法“随类赋彩”之说赋予了新的理念,自成一格。九十年代以来,王先生开始致力于山水画与花鸟画的结合创作大量花鸟画,因山水 Wang Delu, the word Shannong, No. Ping last lay, since childhood, painting, painting Master Master Shi Shiguang meticulously, listening to the window more than thirty years, deep understanding of the teacher’s essence. After the seventies, but also by Mr. Wang Xuetao guidance, to learn the small freehand flowers and birds, the style also changed. King Takeda Wang two footsteps of success, Wang Delong with a pen rough, although not based on type pen pen cautious, with freehand skill, the pursuit of vivid charm. At the same time, Mr. Wang draws lessons from Western painting to emphasize the change of color and shade. For the color of feathers of birds, he emphasizes the light and shadow conflicts, the light and dark changes, "That gives new ideas, a piece of itself. Since the nineties, Mr. Wang began to devote himself to the combination of landscape painting and flower and bird painting to create a large number of flower and bird paintings. Because of the landscape