当今的中国画坛,百花齐放,因品评的标准难于统一,呈现出复杂的繁荣面貌。主要有二:一为宗西,以中国画的发展为借口,用西辞构成所谓视觉冲击来续中国画;二为宗古,多傍史上经典名家揣摩临写,仅得其形,难得其象。归结起来,绝大多数中国画家以西画起灶,画上十年才知文化底蕴不够,想补却为时已晚。古人是从四岁上蒙学,至成年而《四书》、《五经》烂记于心,如王勃、李贺 In today’s Chinese painting world, all flowers are flourishing. Due to the unification of the standards of the assessment, the complex picture of prosperity appears. There are two main ones: one is Zongxi, with the development of Chinese painting as an excuse, and the so-called visual impact of Western Ci to renew Chinese painting. The other is Zonggu and manypasture. To sum up, the vast majority of Chinese painters in the Western painting, cooking ten years to learn that cultural heritage is not enough, want to make up for it is too late. The ancients learned from four years of age to adulthood and “four books”, “Five Classics” rotten mind, such as Wang Bo, Li He