11世纪中国宋代的伟大学者、画家及鉴赏家苏东坡在提及唐代诗人王维的作品时曾说:味摩诘之诗,诗中有画:观摩诘之画.画中有诗。我们在21世纪艺术家任敏的作品里也感受到了画中的诗情。相同于王维和苏东坡在作品中对感情的抒发,任敏的画完全跳脱出了文字和笔法的范畴,而描绘大自然中辽阔浑然的诗境。梦克·苏利文的书中曾经称苏东坡及其同僚们的革新理念是,“绘画是画意,而不画形”。同样地任敏的绘画也充满想象新意,他利用色彩的游离与融合开拓了崭新的画面,这种在画面中由随机偶发创造出来的有机美感几乎可以 In the 11th century, the great scholar, painter and connoisseur of the Song Dynasty in China, referring to the poet Wang Wei’s works of the Tang Dynasty, said: “There is a poem in the poem Momo. We also feel the poetry in the paintings of 21st century artist Ren Min. In the same way that Wang Wei and Su Dongpo expressed their feelings in their works, Ren Min’s paintings completely broke the category of writing and brushwork, and portrayed the vast and secular poetic landscape in nature. Mengke Sullivan’s book once called Su Dongpo and his colleagues the innovative idea that ”painting is a painting, not a painting." Similarly Ren Min’s painting is full of imagination, he uses the color of the free and integration has opened up a new picture, this in the picture by chance random organic beauty can be created almost