曼谷王朝的雕刻和建筑 公元1782年泰国拉塔那空王朝定都于曼谷,又称曼谷王朝,承传至今。曼谷王朝仍笃崇佛教,故将全国各地的许多佛教雕刻精品迁来曼谷,荟萃于一堂。 从纳玛二世的19世纪初,曼谷王朝多做宝冠佛,这些释尊像的塑造注意躯干整体和衣饰的豪华闪烁,表现得更为纯粹装饰化。另外,在那一时期,曾塑造一躯长约49米的寝寐释迦像,成为曼谷王朝造像的代表作品,19世纪中叶以后,纳玛四世始于西洋外事,文化交往频繁,以至此后泰国的佛教雕刻亦受西洋美术影响,逐渐离开东方理想 Engraving and Architecture of the Bangkok Dynasty AD 1782 Thailand Lantana empire dwelling in Bangkok, also known as the Bangkok dynasty, inherited so far. Bangkok Dynasty still worship Buddhism, so many Buddhist carvings throughout the country moved to Bangkok, gathered in one. From the beginning of the 19th century at Nama II, many dynasties and statues of Buddha were made in the Bangkok dynasty. The shaping of the statue of Buddha’s release was noticed by the glitz of the overall torso and the clothing, which was more purely decorated. In addition, during that period, a Buddhist monk with a length of about 49 meters was once molded as the representative works of the statues of the Bangkok dynasty. Since the middle of the 19th century, Nama Si began his career in Western foreign affairs with frequent cultural exchanges, Thai Buddhist carvings are also influenced by Western art and gradually leave the East