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本文通过对传统笔墨工夫的分析以及对中国画革新方向的阐述,揭示了中国绘画技法与中国绘画理论之间密不可分的内在联系,并指出只有“中学为体、西学为用”才是中国画发展的最佳出发点,在真正传承中国画独有的笔墨工夫以及依次所形成的审美价值、表达形式的基础上才能确保中国画在新条件、新环境下不断创新、不断改良。
This article reveals the inherent relationship between Chinese painting techniques and Chinese painting theory by analyzing the traditional brushwork and the direction of the innovation of Chinese painting. It also points out that only “middle school as the body, Western learning for the purpose” is the Chinese painting The best starting point for development is to ensure that Chinese painting will keep innovating and improving constantly under the new conditions and new conditions, on the basis of truly inheriting the unique brushwork and the aesthetic value and expression form of Chinese painting.