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本文以温州市区道教斋醮科仪音乐为调查对象,通过两年多的参与实践,从“我”的观察视角,讲述一名“道士”在道教乐班进行仪式表演时的体验;与此同时,运用西方民族音乐学的理论与方法,就其中的许多现象进行一些理性的思考;双重视角,亦叙亦论,对实验音乐民族志所进行的探索性研究。
In this article, I will take the music of Taoist vegetarians in downtown Wenzhou as the survey object, and through more than two years of participatory practice, I will tell the story of a Taoist musician performing ritual performances from the perspective of “I ”. At the same time, using the theories and methods of Western ethnomusicology, we make some rational considerations on many phenomena among them; from a double perspective, we also make an exploratory research on the experimental ethnography of music.