新时期书法复兴运动已经有二十来年了,这二十来年的时间里,很多人都认为是展览时代的到来。确实不错,现在的国展层出不穷,一拨接着一拨。特别是头几年,刚刚从文革的压抑状态中解放出来的书法拥趸们,以巨大的参与热情写就了新时期书法复兴的历史。完全可以看出,在那种巨大参与热情下面折射出来的是对知识的向往与追求。而在这所有的书法复兴现象中,最有学术价值、最有收获的应该是与展览时代相对榫的传统书法在视觉构成方 The calligraphy revival movement in the new era has been going on for more than 20 years. In the past two decades, many people considered it an exhibition era. Really good, now an endless stream of national exhibitions, followed by a wave of a wave. Especially in the first few years, the calligraphers who have just been liberated from the suppressed state of the Cultural Revolution wrote the history of calligraphy revival in the new era with great enthusiasm for participation. It is quite clear that what is reflected in the great enthusiasm for participation is the desire and pursuit of knowledge. Of all the calligraphy renaissance phenomena, the most academic value, the most rewarding should be relative to the exhibition age traditional calligraphy tenon in the visual composition