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周明安绘画,举凡山水、花鸟莫不研习,在笔墨运用和色彩构成方面积累了深厚功力,尤以动物画见长。其师乃画虎名家阎松父,明安得其真传,探索至今,全然形成自家路数,气韵高迈,独出心裁。其画动物最注重精气神之贯注,由此形成一种美学意义上的动感,并上升为气韵充盈的生命力象征。解读明安的国画,但见简练概括而大气运转,幽深阔远,大则不壅塞,韵致盘旋久之不去。其墨色的基调造成一种墨韵,流动的墨气漫向四表,淋漓蕴藉,在那微妙的墨色层次中
Zhou Ming-an painting, cited all landscapes, flowers and birds to study, in the use of ink and color composition has accumulated profound skill, especially in animal painting. The teacher is painting tiger famous Yan Song father, Ming An had its true heritage, explore so far, fully formed their own number of road, high-majestic, unique. The painting animal pays close attention to the essence of the essence of the god, thus forming a kind of aesthetical sense of movement and rising to the symbol of vitality filled with charm. Interpretation of Ming’s traditional Chinese painting, but see concise summary of the atmosphere and operation, deep and broad, big is not obstructed, rhyme lead circled longer. The tone of the ink creates a kind of ink rhyme, the flow of ink spreads to four tables, dripping Yun, in that subtle ink level