自新中国成立至今,少数民族题材电影已成为我国电影不可或缺的组成部分,虽然因其表现群体和生产数量较小一直居于主流电影叙事之外,但作为中国电影史上的一朵奇葩,少数民族题材在世界影坛上也享有盛誉。经历六十多年的发展演变,少数民族题材电影在叙事主体和叙事内容上都进行了多方探索,除了汉族导演的“他者”视域,少数民族导演也在创作 Since the founding of new China, ethnic minority films have become an indispensable part of Chinese cinema. Although they have been living in mainstream cinematic narratives for their performance of small groups and production, as a wonderful flower in the history of Chinese cinema, the minority National themes in the world are also renowned film industry. After more than sixty years of development, ethnic minority films have explored many aspects of narrative subjects and narrative content. Apart from the “other’s” view of the Han nationality directors, ethnic minority directors are also creating