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在谈论贺岁大片《金陵十三钗》之前,不妨先简单回顾一下张艺谋电影的进化路线图。从民族寻根的《红高粱》,经过民族劣根性批判之《菊豆》,到表达底层痛苦的《活着》、《秋菊打官司》和《一个都不能少》、《我的父亲母亲》,我们看到了一个被张艺谋遗弃的早期自我,它不仅表达出导演的杰出才华,更展示了电影人的基本良知。而从《摇啊摇,摇到外婆桥》开始,张艺谋开始深化源于《红高粱》
Before discussing the Lunar New Year blockbuster “Jinling 13 Hairpin”, you may wish to briefly review the evolutionary roadmap of Zhang Yimou’s film. From “red sorghum” for national roots, “chrysanthemum” criticized from the inferiority of the nation to “alive” for expressing the bottom pain, “lawsuit against Qiu Ju” and “none for one,” “my father and mother,” we Seeing an early ego that was abandoned by Zhang Yimou, it not only showed the outstanding talent of the director, but also demonstrated the film’s basic conscience. From the “shake ah shake, shake Grandma Bridge” began, Zhang Yimou began to deepen the “red sorghum”