《南京!南京!》(以下简称《南》)中包含了和平与战争、生与死、爱与恨、希望与绝望、拯救与毁灭、反抗与屈辱等几乎所有重要的主题。但当它关注太多主题时,是否会因此丧失导演自身的个性?追索陆川以前的作品,并与《南》进行比较,我们看到了一条陆川关注问题的线索。影片中多种 “Nanjing! Nanjing!” (Hereinafter referred to as “the South”) contains nearly all the important topics of peace and war, life and death, love and hate, hope and despair, salvation and destruction, resistance and humiliation. However, when it focuses on too many topics, will it lose the director’s own personality? To search Luchuan’s previous works and compare with “South”, we see a clue of Lu Chuan’s concern. A variety of videos