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一、高古之尚——晋唐书画受捧虽然自宋代以来,书画理论家们根据自身的尚好和利益(尤其是文人画理论家家)一直在规范着中国画的审美秩序、左右着中国画的审美倾向,但由于一而贯之的“古法”情结,他们对于晋唐时代的高古画风,都含有一股别样的情怀。“故诗至于杜子美;文至于韩退之;书至于颜鲁
Although the ancient and modern paintings and paintings of the Jin and Tang dynasties are well received, since the Song Dynasty, calligraphers and theoreticians have been regulating the aesthetic order of Chinese painting according to their own goodness and interests (especially the literati-painting theorists) Aesthetic tendency, but because of the consistent ”ancient law “ complex, they have a different kind of feelings for the high ancient style of the Jin and Tang dynasties. ”The poem as Duzi beauty; text as far back as Han; book as Yanlu