编剧徐棻提出的“无场次戏曲”的创作观念,是在传统戏曲时空自由的原则下,充分发挥戏曲的写意性、虚拟性,打通剧本创作与舞台呈现的界限,打破通常戏曲剧本分场、分幕的编剧手法。 Written by Xu Yuan, the creative concept of “no-time drama” is based on the principle of free and open space of traditional Chinese opera, giving full play to the freehand and fictitious nature of opera, opening the boundary between scriptwriting and stage presentation, and breaking the usual drama scripts Field, sub-screenwriting techniques.