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中国古代内府庋藏书画启用半印关防始于元代,当时秘书监收贮历代法书名画以“礼部评验书画关防”条记为关防印。该印由负责关验的礼部掌管,使用方法是在书画本幅置号纸,骑缝钤印,左半留于书画下侧,右半留于簿籍以待堪验,防止“以伪易真”。元亡以后,明初典礼纪察司收藏书画依然沿用半印关防,虽然钤印格式和印章形制与元代相比有所不同,但以半印为勘验符契的基本原理没有变化。
In ancient China, the collection, painting and calligraphy in the interior of the palace started the semi-Indian customs and customs clearance and protection in the Yuan Dynasty. The seal is in charge of the rituals in charge of customs clearance, the use of the method is in the painting and calligraphy this position number paper, stitching stamped seal, the left half left in the calligraphy and painting on the right side of the left book to be tested, to prevent ". After the death of Yuan Dynasty, the collection of calligraphy and painting by the Inspector General of the Ming Dynasty still followed the principle of semi-seal and seal. Although the typography and seal system differed from those of the Yuan Dynasty, the basic principle of semi-seal as an inspection agent remained unchanged.