一个是千年古城,一个是国际都市,它们带着各自的韵味与魅力一同走进刘伟光的画布之中。色彩变幻,笔刀镶刻,抽象中不失细腻,刻画时不拘小节,这便是刘伟光油画作品给人的感受。透过他的画,你能看到一个不一样的淹城,一个不一样的上海。淹城是三环见水,四环城郭。运河旁的千年小城里孕育着无数才子,他们都有着深厚的传统文化底蕴。吴侬软语的世界里,水墨画才是主流。而刘伟光从学画伊始接触的就是素描,最后走的也是西方油画的路数。上海这个被称作魔都的城市,它包容了一切。在这里,刘伟光的沪上风景终于为他的绘画之路开辟了新天地。 One is the Millennium City, one is an international city, with their own charm and charm into the canvas with Liu Weiguang. Color changes, penknife carved, abstract without losing the delicate, portrayal of informality, this is Liu Weiguang painting gives the feeling. Through his paintings, you can see a different city, a different Shanghai. Yan City is the third ring see the water, the Fourth Ring City Guo. There are countless talented children born in the Millennium Town beside the canal, all of whom have profound traditional culture. Wu Nong soft world, ink painting is the mainstream. And Liu Weiguang learned from the beginning of learning to draw a sketch, the last is the way to go Western painting. Shanghai, a city known as the Magic Capital, contains everything. Here, Liu Weiguang’s scenery in Shanghai has finally opened up a new world for his painting.