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清调曲《相逢行》,又曾称为《长安有狭斜行》、《相逢狭路间》,在西晋形成《相逢行》与《长安有狭斜行》两个演唱系统,“三妇”一章曾作为《大歌弦》歌辞在平调曲演唱的间歇作为插曲表演,宋、齐时期作为独立的“只曲”被保留下来。刘铄最早拟写“三妇”一章歌辞,诸多文人参与拟作,形成《三妇艳》歌辞系列。《长安有狭斜行》到《三妇艳》歌辞的演进变化,提供了清商三调在南朝衰落演变的文本依据,进一步印证了有关清商三调在南朝演进的文献记载。《三妇艳》歌辞内容与形式的“新变”对认识文人拟歌辞有重要启示。
Qing tune “meet on the line”, also known as “Changan has a narrow oblique line”, “meet the narrow road”, formed in the Western Jin Dynasty, “meet the line” and “Changan has a narrow line” two singing system, “three The chapter ”The Woman“ has been used as an episode for the interval between the songs of ”big song“ and the song of ”Ping Song“. The Song and Qi periods were preserved as independent songs. Liu Xun first wrote the song ”Three Women “ song lyrics, many literary people involved in the proposed to form ”San Fu Yan“ lyrics series. The evolution and change of the lyrics of ”Sannai Yan“ from ”Narrow Angle in Chang’an“ to ”Three Loves“ provided the text basis for the decline and decline of Qing Dynasty’s Sanjuan in Southern Dynasties, further confirming the historical records about the evolution of Qing Dynasty’s Sanjiao in Southern Dynasties. The content and form of ”Three Women ’s Songs“ ”new changes " has an important enlightenment on recognizing the scholar’ s lyrics.