这次“伟人足迹”写生活动的特点在于,大家围绕着一个共同的主题画写生,都用油画但不限定风格。从2009年元月开始,二十几位油画家历经雪雨风霜,纵横七省三市,循着毛泽东等红军足迹现场寻访,现场创作,半年时间里完成了近二百件作品。回顾这段经历,最难忘的是,作为集体一面作画一面倾心交流,每天晚上带着写生的风尘回来聚在一起,大家有谈不完的话。眼睛里闪着光,对历史的追寻,对人生价值的求索,对艺术的渴望。是真诚的交往,而不是精明的算计,沟通了彼此的感情,温暖了大家的心灵,于是,写生的过程也是谈心的过程,是作品的精神主题形成发展的过程,也是每位参与者受益的过程,由此,才有画面,才有语言,才有那些“不是行货”的作品。一路谈心涉及很多,与写生有关的可归纳为: This “great footprint ” sketch activity is characterized by the fact that everyone around a common theme painting, are using oil but not limited style. From January 2009 onwards, more than two dozen oil painters went through the trials and tribulations of snow, rain and frost, looking at the Red Army’s footsteps such as Mao Zedong and other three cities in a vertical and horizontal direction, and created nearly 200 works in half a year. Recalling this experience, the most memorable is that as a group side of the painstaking exchange of painting, dust and dust every night with sketch come back together, we have lots to talk about. Eyes flashing, the pursuit of history, the pursuit of the value of life, the desire for art. Is a sincere communication, not a smart calculation, communicate each other’s feelings and warm everyone’s heart, so the process of sketching is also a process of talking about the heart of the work of the formation of the theme of the development process, but also for each participant to benefit Process, thus, have a picture, have a language, have those “is not licensed ” works. Talked about all the way involves a lot, and sketch related can be summarized as: