论文部分内容阅读
1989年12月,全国首届民间工艺美术佳品奖评选活动在北京举行。学术界的一些专家认为,这项活动较集中的反映了当前工艺美术开发研究方面的若干问题。有人说,展览是文艺思潮的晴雨表。纵观1989年以前的各种展览,虽不能说民族民间艺术类展览太少,但“85新潮”影响的多元成份的各种展览,大有将前者淹没的势头。民族民间艺术类专题展览尽管不断出现于各大展览馆,产生轰动效应的却为数寥寥,在范围上影响不广,大多限于美术界而不能象人体艺术大展那样波及社会;新闻界对此类展览极少作深度报道,而只是回报以电报式的“豆腐块”文章。在时间上往往不能给人
In December 1989, the first national folk arts and crafts awards contest was held in Beijing. Some experts in the academic circles think that this activity reflects a number of problems in the research and development of arts and crafts in a concentrated manner. Some people say that the exhibition is a barometer of literary trends. Looking at various exhibitions before 1989, although there can be too few exhibitions of ethnic and folk arts, various exhibitions of the diverse elements influenced by the “85 New Waves” have greatly drowned the former. Although the special exhibitions of ethnic and folk arts are constantly appearing in various exhibition halls, only a few have a sensational effect, and their influence on the scope is not extensive. Most of them are limited to the art world and can not affect the society like the Art Exhibition; The exhibition seldom makes in-depth coverage, but only reports on telegraphic “tofu block” articles. In the time often can not give people