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本文承接《锺惺七律的创作技法》一文,采用文本分析的手段专门论述明代“竟陵派”诗人谭元春(1586—1637)七言律诗的创作手法与技巧,从字法与句法层面观察其与锺惺(1574—1625)七言律诗的异同之处,并探究其与“锺伯敬体”有所差别的原因。此外,本文也将使用文本分析的结果去验证前人对于谭元春作品的某些批评与论断。
This article adopts the method of textual analysis to discuss the creative techniques and techniques of seven-character rhythm poetry of Ming Dynasty “Jingling School ” poet Tan Yuanchun (1586-1637) Observe the similarities and differences between it and Zhong Xing (1574-1625) seven-character rhythm poetry, and explore the reasons for its difference from “Zhong Boshin”. In addition, this article will also use the results of text analysis to verify some of the predecessors’ criticisms and assertions about the works of Tan Yuanchun.