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蚌埠地处淮河流域,融通南北,有着丰富的非物质文化遗产,如已列入国家级名目的花鼓灯、杨氏微雕等。这片富饶的文化土壤滋养了赵小勇的陶塑艺术,为他艺术的形成发展提供了极具地方特色的艺术元素。花鼓灯、泗州戏都成为他取之不尽的创作题材,对非遗文化热情洋溢的群众基础为其作品提供了充分发展的空间和动力。然而,短暂的艺术生命让其刚刚走在非遗的路上就快速地陨落了,对赵小勇陶塑艺术进行抢救性挖掘保护显得格外重要而急迫。文章从赵小勇陶塑艺术的形成,各时期作品风格及其精神解读进行阐述。
Bengbu is located in the Huaihe River Basin, converging north and south, has a wealth of intangible cultural heritage, such as has been included in the national name of the Huagudeng, Young’s micro-carving. This rich cultural soil nourishes Zhao Xiaoyong’s pottery and plastic arts, providing a very local artistic element for the formation and development of his art. Huagudeng and Sizhou opera have all become his inexhaustible creative themes. The passionate mass foundation for non-cultural heritage provides ample space and motivation for his works. However, the short artistic life has just left its path on the non-legacy to fall rapidly. It is especially important and urgent to carry out rescue and excavation protection on the art of Zhao Xiaoyong. The article elaborates the formation of Zhao Xiaoyong’s pottery art, the style of his works and his spiritual interpretation in each period.