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顺治朝乃明清易代特殊时期,此一时代的演剧政策将直接影响康乾及以后诸朝演剧的发展,对其展开研究有益于对清代演剧史变迁的整体把握。从清军入关以后诸多史实材料出发,可发现顺治朝演剧政策存在明显变化,这一变化以顺治八年(1651)亲政为界。多尔衮当政时期,并无完整有序的演剧政策,顺治亲政后才逐渐加强对演剧的管理。这一转变有着多方面的原因,演剧本身具备的时代特点是转变的直接原因,而满汉礼乐风俗地位的转变则是此时演剧政策变化的根本原因。
Shunzhi was a special period of the Ming Dynasty and the Qing Dynasty, and the drama policy of this era will directly affect the development of the drama in the later years of Kang Gan and later dynasties. It is beneficial for the research on it to grasp the overall change of the drama history in the Qing Dynasty. From the historical materials after the entry into the Qing army, we can find that there was a clear change in Shunzhi’s drama policy. This change was based on the pro-government policy of Shunzhi eight years (1651). When Dorgon was in power, there was no complete and orderly drama policy. There are many reasons for this change. The characteristics of the times possessed by the play itself are the direct reasons for the change, and the change of the status of the ritual and music of the Manchus and Han Dynasties is the fundamental reason for the change of the drama policy at this time.